Color, geometry, and juxtaposition are my three guiding considerations in making paintings. Dividing up the field into large or small sections, jostling the grid, and setting one thing against another are options that give me a method of seeing and making. Contrast is what I am after. Whether I bring together pieces to synthesize an amalgamation or divide one section from another on a plane, I am always contrasting. I want to see the colors more clearly and realize a new whole.

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